Much of my work is rooted in the belief that design is a form of translation—taking something felt, remembered, or imagined, and giving it shape. Whether I’m building a magazine spread, designing a book cover, or writing a piece of my own, I’m often circling the same ideas: memory, identity, and the quiet ways a story can change us.
As both a designer and a writer, I think closely about tone—what something feels like before it’s fully understood, and how that feeling is carried through image and language.